Thursday, February 23, 2012

Best Director: Serious Film's 2011 Ballot


Just like with Oscar ballots I'm weighting these with #1 as my top choice and so on down the list.

1. Nicolas Winding Refn - Drive


All the things that made Drive a hot topic last fall were Refn's choices - the neon atmosphere, the clipped, elliptical storytelling, the bursts of shocking violence. He had every element of the production playing together like a symphony orchestra, elevating what could've been a standard crime story into the film of the year.


 2. Lars Von Trier - Melancholia


Terrence Mallick took the lion's share of the visionary hosannas this year but I believe Von Trier's darker mix of human frailty and cosmic upheaval was an altogether sharper, more powerful experience. The story is clearly a personal one for him, but even as emotion was messy the filmmaking remained masterfully controlled.

3. Asghar Farhadi - A Separation


When a film hits a ten out of ten on every emotional beat, when every performance is so perfectly calibrated, when the story is richly complex yet deeply relatable, then it's a sure sign there is a strong directorial hand at the helm. Farhadi's name just vaulted to the upper echelons of the world's auteurs.

4. Kelly Reichardt - Meek's Cutoff


The success of Meek's Cutoff rests entirely on Reichardt's ability to keep one eye on the grand scope of the story while bringing off the small scale human drama in the foreground. She does brilliant work making sure the film's negative space is filled not with emptiness but with a wealth of unspoken tension and looming dread.

5.Tom Alfredson - Tinker Tailor Soldier Spy


Every frame of Tinker Tailor makes it to the screen packed with detail and nuance. Alfredson has received the most praise for keeping all the disparate strands of the narrative straight but the bigger achievement is not losing track of the human story amidst all the dizzying complexity. 

More Worthy Directors


Gerardo Naranjo made Miss Bala into both a devastating portrait of the drug war and a dazzling display of cinematic style. Andrew Haigh one-upped every romance in sight with Weekend, his achingly true love story.  Richard Ayoade made Submarine a coming-of-age story that was universally relatable despite it's meticulous depiction of time and place. Steve McQueen pushed the tropes of the addiction story into high art in Shame. Mike Mills filled Beginners with heartfelt detail and air of romance tinged with melancholy. And finally, Joe Cornish delivered more pure popcorn fun in Attack the Block than Hollywood managed with a whole slate of Summer blockbusters.

No comments:

Post a Comment